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Draw a Brick Wall in Perspective

Marking Brick Items

If you need to avoid having construction lines in your drawing, first build your draw a brick wall on a piece of sketch paper. Then apply it as a guide directly from the grid stage or draw brick outlines and then follow it onto your last drawing ideas. Before removing, select how many bricks high your wall should be and how many high bricks should be.

Draw in front of the vertical edge of your wall, estimate the height you want, and then draw the disappearing lines back to the disappearing point. Mark the size of the bricks on the wall, and also remove the missing lines. Remember, these are your ‘lines of work’ to make them clear and accurate.

Perspective Wall Step 2 – Dividing into Rows

An easy way to evenly divide the wall is to use the crossed diagonals method of dividing a rectangle in perspective. It looks pretty unpleasant – it’s one of those ‘quick and dirty methods that work, even if it’s not delightful! Procuring geometrically exact measures is a laborious process – for this, we will go over what is right. Using cross diagonals, find the center of the draw a brick wall, then do the same for half on each side, and so on.

Keep dividing the wall until you divide it slightly into squares.

Simple Linear Brick Pattern

Create a Simple Linear Brick Pattern – At this point of drawing, you can go for the simple linear option – drawing over horizontals and adding vertical lines in alternating divisions to create a basic brick pattern. They are marked with the freedom to look a little less mechanical, but it manages to look a bit stark. Next, we’ll see any other methods to draw bricks.

Drawing Structured Bricks and Mortar

To produce the appearance of bricks and mortar, you will need to draw each brick separately. Use linear brick design as a guide for drawing your brick pattern in more detail. I prefer to remove them for free. Outlining each brick is just separate from the guidelines to create a brick-and-mortar pattern. If you use a crisp, structured drawing style, you can draw them directly with the pen in your drawing. Or you can skip this stage entirely and go now to hatching your bricks, using the grid as a guide. (More on this in a moment!)

Finished Structured Bricks

Here’s the completed brick-and-mortar wall in perspective, clearing your lines of work. It looks very ‘basic’ at this stage, primarily since I draw too heavily, so scan properly. To make a neat drawing, I usually want to remove the construction so that it is almost visible, giving a cleaner finish – or work in a looser and more orderly way to provide the drawing with more lots of energy. That’s my preferred way of working. To add interest, you can add hatching, or if you draw it in pencil, raise any graphite with an eraser and add some flexibility, breaking up lines and adding patches of detail and damage.

Hatched and Shaded Bricks in Perspective

Pencil shading and hatching can be controlled or relaxed to create an effective brick texture. In this example, I used the drawn grid as a guide, placed it under the drawing paper, and framed it with bricks. I allow the tonal and direction values to vary to create the effect of different brick colors and tones.

If you enjoy brick patterns and textures, you can check out the beautiful architecture of Mark Twain House. It would be an excellent sketching subject!

Informal or Cartoon Ink Brick Wall

Another draw a Brick Wall in perspective: Here is a simplistic cartoon or casual version. Apply the same fundamental linear approach we previously looked at, but in a more accurate line, dropping some blanks and adding some sharp hatching to recommend different brick textures.

Stippling Brick Textures

Stippling works well on both large and small scales. These samples are drawn with a tangible marker mark that gives an irregular mark. Use a metal-tipped pen for a more authentic effect. With stippled textures, you create the illusion of tone or shading by making lots of dots, like an old-fashioned newspaper, with lots of close bubbles giving a dark tone and scattered dots that provide a lighter tone. You can control the look by using a step back and looking at your drawing at a sparse distance.

In general, a random pattern is best, so move your hand around in a somewhat unexpected way, returning to the same place to form groups of resembling dots for darkened tones. Retaining the pen perpendicular gives you a correct round bubble.

Trying to make the ‘dots’ of the dots and using a diagonal pen can result in a pointed look, with a visible banding that makes it look like there are ridges on its surface.

Source: Article Hills

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